I wanted fans to feel "I was pleasantly surprised!" rather than "The series is always the same thing".
I had a lot of expectations during development as I made the characters appear, changed the HUD design and spent a lot of time considering things. ...We faced a lot of challenges because of this, adding completely new things.
So the training camp for the worldview began, with the storyline written within the confines of a hotel room.
There, animations with a sound recording script worth three novels that would then become two discs were born.
As a result, the branch ballooned to over 50 missions.
When I realized, the content became such that it was now impossible to go back. (laughs)
The challenge was in blending the essence of a live-action serial drama with that of a game.
While playing a game, advancing freely through the story, have you ever felt somewhat "detached"?
The game's worldview as well as the storyline, everything was prepared with "video game" in mind.
"Don't let the hero walk alone, away from the player's feelings..."
"Make the characters always talk to the player..."
Thinking about such things, I always kept in mind to give the player the "feeling that you are there" while "playing" the game, so that no one would be passive while playing.To that end, we introduced missions that branch according to the player's decisions and video mail messages that change according to the results of the battle, so I was careful to make sure that the mission content and the story connected well.
While holding the controller, suddenly, you'll feel concerned about your companions who are fighting alongside you... I would be very happy if you could feel the "wild blue yonder" of "AC3"'s world during those times.
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